Four More New Records
As promised, here’s a list of some of the other releases we picked up this week:
Host – Heavy Clouds 7 inch
Hubris – Base Desire 7 inch
War on Women – Improvised Weapons
Des Ark – WXDU Vol. 3
For more information on each release, read on …
Host – Heavy Clouds 7 inch
This is a four-song 7 inch on white vinyl, released by Cricket Cemetery. I’m not gonna lie to you … it seems that this record exists as the very definition of the word “heavy.” Doesn’t get much heavier than this. Honest. If I had to guess, it sounds like these guys tune down to C, or maybe B, to play these jams. Side A is appropriately titled “Heavy,” and the lyrics for the first song have a bit of a Jack London vibe. Seriously, go blow the dust off of your copy of “To Build a Fire” and tell me I’m wrong. This band is super fast, super tight, and their drummer is bangin’ it out. If you like your music fast and intense, this is the way to go.
Hubris – Base Desire 7 inch
This is another four-song 7 inch from Cricket Cemetery, and I know I just mentioned that Host was the definition of “Heavy” … well … okay, we should probably go ahead and add Hubris to the list. The sound of this record is tough to describe. Let’s just say that everything’s very deliberately in the red. I don’t think I’ve ever heard anything quite like it. Other bands have certainly recorded to tape and pushed those pesky meters ‘til they no longer move to the right, but not quite like this. If I had to select a favorite jam, it would be the last song, “Dejected.” Something about the guitars in that song made it the standout track. Again, this is a record for folks who like their music fast and intense.
War on Women – Improvised Weapons
War on Women is a band from Baltimore, and this is a new release from Exotic Fever Records. It’s a 6-song ten inch, and the recording is top-notch (shout-out to Brooks Harlan who recorded and mixed this at The Magpie Cage). War on Women have been described as co-ed feminist hardcore-punk, and after listening, I suppose that’s a pretty accurate description. The scorchers from this record are “Effemimania” and “I like Science.”
Des Ark – WXDU Vol. 3
For everyone who has ever seen Des Ark live, you know already (before even hearing it) that this record is worth picking up. For all those out-of-the-loop, Des Ark is something to obsess over. To say Aimée Argote is a prolific songwriter is a complete understatement. She’s constantly creating and constantly touring, and you shouldn’t ever miss an opportunity to see her perform live.
The 9 songs on this twelve-inch were recorded live on WXDU 88.7 by Ross Grady back in January of 2010. The vinyl itself is sort of an orange marbled color, and the cover art features a beautiful two-color screen-print; if you were to open up the gatefold and throw this album cover behind a frame, you’d have one seriously dynamite print to display in your house.
As always, thanks for reading.
-Ryan
Available Now through Our Web Store
We’ve picked up some new releases from other labels in the last week. I’ll post the full list a bit later, but for now, here’s a quick shout-out to a new CD-only release from Noble Task Records:
Garland of Hours – Lucidia
This is a 7-song release from Garland of Hours, fronted by Amy Domingues. Amy’s got a pretty interesting history as a working musician in DC (aside from just being one of the better people on planet mud-ball earth). Her work as a cellist is featured on quite a few of the records currently found in your collection, Fugazi, Faraquet, Ted Leo and the Pharmacists, Bob Mould, Jets to Brazil, Dead Meadow, and Mary Timony (I’m really just scratching the surface). She’s sort of the go-to person for cello work when people make records around here, but I’m always interested to hear her approach to song-writing. This is the 3rd Garland of Hours release, and as per usual, she continues her tradition of shaking things up with a rotating cast of musicians. For this one Amy recruited Stefan Bauschmid on drums, while Mary Timony plays guitar on 3 of the 7 songs.
Fans of our beloved Lungfish may want to check out song #6, “The Evidence.” Garland of Hours took it all the way back to Pass and Stow for their Lungfish cover.
(That being said, my jam on this record is the opening track: “Wive Me.” It’s the perfect opener – sets the tone for the whole album.)
Thanks for reading.
-Ryan
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Brendan Canty's Trixie Films to Produce "The Liberation", A Film About DC Central Kitchen
Trixie Films directors Brendan Canty (Fugazi) and Christoph Green are looking for backing via a Kickstarter campaign for their upcoming film, The Liberation -- a documentary about two students who are going through the culinary job training program at DC Central Kitchen.
"DC Central Kitchen, two blocks from the US Capitol building, and in the basement of one of the largest shelters in America, is a revolutionary culinary training program that actively goes out searching for the people that need their help the most. People who have hit rock bottom, and are truly ready to turn their lives around. Over 14 weeks, DC Central Kitchen teaches them how to get along with others, how to get along with themselves, and how to cut and cook, serve and cater, and ultimately gain access to the nicest restaurants in DC."
"Full employment is the goal of the program, but along the way there are plenty who don't make it. Drug tests, old habits and, self destruction are always the elephant in the room."
"Join us as we follow 2 or 3 people through this program. It will change the way you view your city."
"I know it has done so for us." --Brendan Canty and Christoph Green
Directors Christoph Green and Brendan Canty are the founders of Trixie Film (www.trixiefilm.com), a Washington DC based production company. They have produced a long list of music-related films for artists such as Pearl Jam, Death Cab for Cutie, The Decemberists, The Shins and Wilco. Most recently, they have released Water on the Road; Eddie Vedder Live (2011). In 2009 they released the award-winning film “Ashes of American Flags” which played in theaters across the United States and in Europe. Trixie also continues to produce the critically acclaimed Burn to Shine series which documents American local music scenes.
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New Releases from Dischord Alumni: Daniel Higgs, Asa Osborne, & Ryan Nelson
The Lungfish band as a singular entity continues its slumber. But members Daniel Higgs and Asa Osborne continue to record and perform, perhaps more than ever, both as solo performers and together in Skull Defekts. Higgs latest solo LP release, Beyond & Between, is now available via Barcelona and La Castanya records and is being distributed exclusively in the States by Dischord. The album features Higgs on vocals and banjo, accompanied by percussionist Marc Clos.
Asa's latest Zomes release, Improvisations -- recorded entirely on cassette tape, is being released on January 24th on Thrill Jockey and will be available from Dischord (we are accepting pre-orders now). Both albums are available on LP with MP3 download cards inclosed.
Minutes are a band from Kalamazoo, MI that feature ex-members of Trocar and Dischord's Ryan Nelson (Soccer Team, Beauty Pill, Most Secret Method). The band's Self-titled 12 LP is now available in a limited edition of 300.
Ryan, who is now back running Dischord's mail-order department, has written a more expansive blog post about these and several other new releases that you can find on our Stuff We Sell page.
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New Releases from Other Labels: Daniel Higgs, Zomes, Minutes, My Fictions, and Weak Teeth
Daniel Higgs – Beyond & Between
Zomes – Improvisations
Minutes – Self-titled LP
My Fictions – I Want Nothing
Weak Teeth – What a Plague You Are
For more information about each release, read on …
Daniel Higgs
Daniel Higgs traveled to Spain in May of 2011 to record this 7-song album in beautiful Sant Feliu de Guíxols. Fans of Daniel Higgs’ other works will not be disappointed. On this release, titled Beyond & Between, Higgs provided the cover art, sang and played banjo, and he was accompanied by Marc Clos on the vibraphone, marimba, flexatone, drum, tamborello, tamtam, gong, tar, bendir, timpani and vocals.
Zomes
Zomes is the solo work of Asa Osborne, guitarist of the much-beloved Lungfish. The songs on this record, titled Improvisations and released on Thrill Jockey, were self-recorded in 2010 and originally released on cassette only. For all those new to Zomes, I recommend listening loudly; this isn't background music. When Asa performs live, the music is at full volume, and I think the idea is to let the hypnotic/meditative sounds of Zomes wash over you completely.
Minutes
It feels a bit awkward to bring up my own band here, but this is a new release, we carry it, and I really do want people to know it’s out in the world, so I’ll try to make this quick and painless:
Minutes just self-released a self-titled LP that is limited to only 300 copies. It’s available through the Dischord site for 11 bucks. It’s a rock record. We (the band, that is) really like it, and we hope you will, too.
(Just as with the Soccer Team records and the Minutes 7 inch, some recording nerds out there may find it interesting to know that this record was made using a Tascam 388. Full disclosure … we used a Tascam 424 cassette recorder as well.)
My Fictions
This is a five-song 10 inch from My Fictions, titled I Want Nothing and released by Flannel Gurl Records. It’s fast-paced hardcore from Lowell, MA. Lots of remarkably precise drumming and guitar parts on this one. According to the liner notes, their guitarist, Tyler Bradley, recorded, mixed and mastered this album, while the layout was done by their bassist, Bryan Carifio. It’s pretty great to see a band do so much behind-the-scenes work for their own release; it usually means a lot of love went into the process. Keep in mind that this record spins at 45 RPMs. I made the mistake of listening at 33 at first, and … well … let’s just say I heard a very different record.
Weak Teeth
This is another release from Flannel Gurl Records, and this particular album is by a band from Providence, RI, called Weak Teeth. The album is titled What a Plague You Are , and like My Fictions, Weak Teeth play some pretty fast-paced hardcore. Lots of parts, lost of precision. Along with song-writing, it's apparent that Weak Teeth spent some quality time on their song titles and liner notes, so make sure you spend some of your own time with the album insert. I get the feeling they’d be offended if you referred to their songs as “track 1” or “that 3rd song on side A” (the latter of which is actually the gem on the record). Also, don’t let the typical 12 inch format fool ya’… This one spins at 45 RPMs as well.
Thanks for reading.
-Ryan
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Scream to Tour Europe from January 19 to February 5
Scream, featuring the original line-up of Pete Stahl, Franz Stahl, Skeeter Thompson, and Kent Stax --and joined by newcomer Clint Walsh, will be touring in Europe for the first time in over 20 years. In the 1980s Scream were one of the first American punk bands to tour extensively in Europe and along with a handful of other bands helped open many of the underground touring circuits that punk bands rely on to this day. The tour begins on January 19th in Amsterdam and will cover select dates in Spain, Belgium, Germany, Switzerland, Italy, and Austria.
See Scream's Dischord page here: www.dischord.com/band/scream
Go to Scream's website here: www.screamdc.com
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25 New Shows Added to the Fugazi Live Series on January 1st
The Fugazi Live Series web archive site kicked off with a bang on December 1st and we've been very encouraged by the positive feedback it has received. In keeping with our plan, we uploaded an additional 25 concert downloads on January 1st and we'll continue doing this each month until we reach our goal of making every Fugazi concert recording in our collection available.
The following concerts have been added to the site and are now available to download:
05/02/1990 Memphis, TN USA, Antennae Club
08/14/1991 Winnipeg, MB Canada, Duncan Arena
05/14/1992 Manchester, England, Irish Centre Ardri Hall
05/31/1992 Barcelona, Spain, Zeleste 2
06/16/1992 Munich, Germany, Theaterfabrik
07/25/1992 Washington, DC USA, US Capitol Plaza Supreme Court
02/13/1993 Orlando, FL USA, Edge
02/20/1993 Greensboro, NC USA, Trim Shop
11/20/1994 Silver Spring, MD USA, Long Branch Community Center
04/03/1995 New York City, NY USA, Irving Plaza
04/09/1995 Burlington, VT USA, Memorial Hall
06/20/1995 Rome, Italy, Forte Prenestino
07/04/1995 Hamburg, Germany, Fabrik
07/05/1995 Nijmegen, Netherlands, Doornroosje
11/08/1995 Los Angeles, CA USA, Shrine Auditorium
04/11/1996 Nashville, TN USA, 328 Performance
11/27/1998 Louisville, KY USA, Highland Hall
03/02/1999 Springfield, OR USA, McKensie Ballroom
04/27/1999 Reykjavik, Iceland, National Radio Building
01/18/2000 Fort Lauderdale, FL, Chili Pepper
09/30/2000 Umea, Sweden, Galaxen
10/08/2000 Lund, Sweden, Mejeriet
10/10/2000 Helsinki, Finland, Nosturi
04/20/2001 Indianapolis, IN USA, Knights of Columbus Hall
04/20/2002 Boston, MA USA, Mass Art Gymnasium
Read/View more about the Live Series in press clippings from the following: The New York Times, The Washington Post, Pitchfork Media, and Wired Magazine, BBC Online, NPR Online, SPIN.com.
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Beauty Pill to Debut "Immersive Ideal" Recording at Artisphere Jan. 7-22
Following the Washington, DC band Beauty Pill's summer 2011 open recording residency at Artisphere, the Immersive Ideal project returns with a multimedia installation designed by Kelley Bell and Stephan Moore. The installation will feature a user-interactive, monome-controlled array of photographs from the recording sessions by Nestor Diaz, Morgan Klein, Brian Libby, Jon Pack and PJ Sykes. From January 7-22, you can listen to Beauty Pill's new album --recorded at and presented exclusively at the Artisphere-- while immersed in the photographs that document the band's experiment in radical artistic transparency. The installation will run in the Black Box Theatre itself, where the recording took place, furthering the intimacy between the viewer/listener and the work. Opening reception Sat. Jan 7, 7-10 pm (free).
--text taken from Artisphere's press release
Artisphere is located at 1101 Wilson Boulevard, Arlington, Virginia 22209
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Regular Mail-Order Shipping Continues
After a brief breather in the mail-order department, we are back up and running and orders will be shipped as normal throughout the week. Thanks for your patience and for your support !
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No Mailorder Shipments: Dec. 23rd–-26th
For all those who are considering placing orders online, please keep in mind ... Dischord’s mailorder service is about to slow to a crawl. Thursday, December 22nd, will be the last day we’ll be shipping individual orders for a little while. Of course, you're still welcome to place orders, but we won't be back in action until Monday, December 26th.
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DC IS DOOMED
If you’ve ever looked through the other label “stuff we sell” and thought, “I have no idea where to start,” please allow me to help:
Start with The Shirks.
I just went through and listened (again) to all four of their records (all of which are seven inches), and they’re all equally good. I love this band because they’re a shining example of the very best aspects of a classic punk sound. They’re a contemporary band capturing everything that was (and still is) incredible and inspiring about late ‘70s punk (a time when punk sounded like faster/dirtier/snottier rock n roll) without ripping off any of the greats. Al Budd’s vocal delivery lies somewhere between Stiv Bators (Dead Boys) and Chris Bailey (The Saints), the riffs are killer and constant, the bass lines hit Rezillos quality, and Andy Gale’s drumming (as always) just destroys.
The other thing I love about The Shirks is this:
There’s almost no information about them on the Internet; meaning, you have to catch them live or buy their records in order to be in-the-know. In a way, it’s a return to the true spirit of the underground, an underground where you actually have to do some digging to find the worthwhile records. And when you find The Shirks, you've hit pay dirt.
Below are links to each release:
The Shirks – Dangerous
The Shirks – DC Is Doomed
The Shirks – Disease
The Shirks – Cry, Cry, Cry
(This last one was recorded by Nikhil and features fantastic cover art by Laura Harris.)
Thanks for reading.
-Ryan
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All Things J.
At this point, most people are fairly in-the-know regarding the assorted musical endeavors of J. Robbins. He’s been a prominent and prolific song-writer in the DC area since joining Government Issue back in 1987, on through the Jawbox days, and currently with Office of Future Plans (not to mention the various bands and projects in between). Since the release of the Office of Future Plans record, I’ve been on a bit of a listening-frenzy with J.’s music, spanning the years, and I thought I’d take a moment to share some of my favorites. This is, by no means, a complete list of J.-related projects – that would take an eternity to write and there’s only so much time in a day; this is merely a list of some highlights:
Office of Future Plans – Self Titled
If you haven’t picked this record up yet, do yourself a favor and get to it. This record (besides being a straight-up rocker) is beautiful and thoughtful throughout. If you're looking for an individual song to check out before committing to the whole album, I recommend the song "Ambitious Wrists" for one of the better opening lines ever. Actually, it's not just the opening line … lyrically, this one's tops. All the champion trivialists will race to "see Angkor Wat by satellite," just you watch.
Rollkicker Laydown – Self-titled seven inch
This record is long-since out-of-print, and we have exactly one copy left in the office (which I imagine will get purchased pretty quickly after posting this).
I heard a rough mix of these songs back in 1991 when my brother's old band was recording with Geoff Turner at WGNS. Geoff was kind enough to play it for us in his basement studio, and I immediately couldn't wait for this record to come out. We were already fans of Jawbox, Gray Matter, and 3, so the union of J. and Geoff's vocals was of particular interest. If you read the brief liner notes on this seven inch, you'll notice that the band is made up of Tom Lyle, J., and Pete Moffett, all of whom were in the last incarnation of Government Issue. "No Voices in the Wire" is a great, great song. J.'s voice gets super gruff toward the end, and Pete really lays into the triplet fills.
Channels – Waiting for the Next End of the World
I've got a soft spot for Channels because I was their driver/roadie on their singular tour to Chicago and back. The tour was great: the band played perfectly every night, the Beauty Pill van actually held together for the duration of the trip, we met a lot of nice and generous folks, and I ended up having all of Channels' songs run through my head for months afterward.
Please, please listen to the song "The Licensee," and let Janet Morgan's vocal delivery remain in your head for the rest of the day. It's like incorporating all the beautiful phrasing and hookiness of Stereolab's Mary Hansen (circa Emperor Tomato Ketchup and Dots and Loops) into a powerful and upbeat rock song. I absolutely love this track. Most will probably hang on to "Chivaree" as the song that has it all (especially if you hone in on whatever it is Darren Zentek's playing during the chorus – impossible! and he makes it look so easy), but I'm still sticking with "The Licensee."
Jawbox – Grippe
Here's another record that I couldn't wait for – mainly because I had the Jawbox demo tape on constant rotation during high school and I was anxious to hear new studio versions. With this release, I've always had a certain affection for the song "Green-Line Delayed." I used to look at the DC Metro map in the late '80s and early '90s (while living in Suitland) with tremendous frustration; it seemed the Green line would NEVER be finished. Now I don't know if that's what this Jawbox song is about, but that's the meaning I took from it when I was in high school.
We have one vinyl copy of Grippe in stock right now, and it's missing the cover. Seriously, I've looked everywhere for an extra cover, and there are none here in the office. If you end up buying this copy (sans cover), it will be marked down on our website to 5 dollars.
If you end up buying the CD, do not overlook the song "Footbinder." The lyrics are heartbreaking and poignant.
Various Artists – Play (compilation)
When J. recorded the Soccer Team song for this record, "I'll Never Fear Ghosts Again," Melissa and I asked him to provide a guitar solo for it, which he did, and it's my favorite moment in the song (besides Melissa's vocal part during the chorus, of course). I think J. was channeling his inner-DEVO when he came up with that, which was perfect and appropriate.
Jawbox – Tongues
Many people don't know, but we actually still have a lot of these in stock at Dischord. This marks the first appearance of Bill Barbot on the Jawbox records, making the band a four-piece and expanding the live vocal parts quite a bit.
Jawbox – Motorist
We still have these in stock, too (although not nearly as many). This record, engineered by Ian and Don, marks the first appearance of Zach Barocas on drums. It's mostly known for the B-Side, "Motorist," but the unsung hero is the A-side: "Jackpot Plus." The lyrics clearly paint a scene that references the ugliness of gambling. And the chorus trails off simply, "Someday I …"
Office of Future Plans – Self-released, Self-titled seven inch
We don't have any more copies of this record, but if you see it out on planet Earth somewhere, pick it up. The B-Side features a fantastic Stranglers cover, "Everybody Loves You When You're Dead." A great tribute to a great band.
Thanks for reading.
-Ryan
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Temporarily Back in Stock: Ignition, Faraquet, The Warmers, Marginal Man, and Q and not U
Due to a recent store return, we now have several LPs that were previously listed as “out of stock." We only have 2 or 3 copies of each, so it’s first-come first-served. Here’s what's available:
Ignition, Orafying Mystical of … (Dischord 39)
Faraquet, Anthology 1997 – 98 (Dischord 159)
The covers of these records are slightly bent in the corners, so the price has been reduced to $7.
Marginal Man, Identity (Dischord 13)
The covers of these records are slightly worn, so the price has been reduced to $7.
Q and not U, Power (Dischord 143)
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Fugazi Live Series Off and Running!
The Fugazi Live Series website officially launched on December 1, 2011. You can now click to the site from the main Dischord menu or navigate directly to www.dischord.com/fugazi_live_series without any login restrictions (although purchases still require a free Dischord account).
We do expect some bumps along the road as traffic spikes and the site adjusts so don't be alarmed if you experience sluggish performance from time to time. As more traffic data comes through we will be making adjustments accordingly.
Fugazi played over 1000 concerts, covering all fifty United States, Europe, Australia, South America, Japan and many points in between. Over 800 of these shows were recorded by the band's sound engineers, often on high quality recording gear.
The Fugazi Live Series is a complete online archive of these concerts. Show pages will feature data from the concerts and (when available) related photos, flyers and MP3 downloads. The goal is to make the shows available to browse for free or to download for a small fee. Initially the band will release 130 downloads (101 new shows plus 29 of the shows released on the now out-of-print Fugazi Live CD series). Additional downloads, photos, flyers, etc. will be added regularly until the entire archive is available.
In keeping with the band's philosophy of keeping music affordable, the suggested price of a concert download is $5. However, we also offer a sliding scale option where you can set your own price. Additionally, we offer an All Access option that will allow you to download every show on the site - that would include all 130 presently available downloads as well as all subsequent shows that will be added to the site over time.
Fugazi Live Series is a wing of the Dischord Records website and utilizes the secure Dischord online store for payment and delivery of the downloads. The site was designed and produced by Dischord's Alec Bourgeois and was developed by Jerrod Blavos of RecCenter. All shows were mastered by Jerry Busher except the 30 shows initially released on CD, which were mastered by Fugazi. Thanks to Peter Oleksik, Lindsey Hobbs, and Amy Breesman for their expertise and help organizing the Fugazi archive. And a special thanks to the many photographers who have generously shared their work.
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Fugazi Live Series to Launch December 1, 2011 - Now Up in Beta
The Fugazi Live Series website officially launches on December 1, 2011. The site is currently up and running in beta form but is only visible to Dischord account-holders (this "user-only" restriction will be lifted and a menu link from the Dischord home-page will be added in the coming days).
Fugazi played over 1000 concerts, covering all fifty United States, Europe, Australia, South America, Japan and many points in between. Over 800 of these shows were recorded by the band's sound engineers, often on high quality recording gear.
The Fugazi Live Series is a complete online archive of these concerts. Show pages will feature data from the concerts and (when available) related photos, flyers and MP3 downloads. The goal is to make the shows available to browse for free or to download for a small fee. Initially the band will release 130 downloads (101 new shows plus 29 of the shows released on the now out-of-print Fugazi Live CD series). Additional downloads, photos, flyers, etc. will be added regularly until the entire archive is available.
In keeping with the band's philosophy of keeping music affordable, the suggested price of a concert download is $5. However, we also offer a sliding scale option where you can set your own price. Additionally, we offer an All Access option that will allow you to download every show on the site - that would include all 130 presently available downloads as well as all subsequent shows that will be added to the site over time.
Fugazi Live Series is a wing of the Dischord Records website and utilizes the secure Dischord online store for payment and delivery of the downloads. The site was designed and produced by Dischord's Alec Bourgeois and was developed by Jerrod Blavos of RecCenter. All shows were mastered by Jerry Busher except the 30 shows initially released on CD, which were mastered by Fugazi. Thanks to Peter Oleksik, Lindsey Hobbs, and Amy Breesman for their expertise and help organizing the Fugazi archive. And a special thanks to the many photographers who have generously shared their work.
Recent News
- Four More New Records
- Available Now through Our Web Store
- Brendan Canty's Trixie Films to Produce "The Liberation", A Film About DC Central Kitchen
- New Releases from Dischord Alumni: Daniel Higgs, Asa Osborne, & Ryan Nelson
- New Releases from Other Labels: Daniel Higgs, Zomes, Minutes, My Fictions, and Weak Teeth
Archive
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